宾夕法尼亚的斯德哥尔摩

从现实主义角度，是彻头彻尾的悲剧。从浪漫主义角度，我分不清囚犯和母亲创造的，哪一个才是地狱。以下可能含有少量剧透。仅从电影观感角度出发，以下内容不代表个人三观。母亲的世界更让我窒息，至少在囚犯的世界里，她充满好奇和希望，当然这一切都是建立在错误和虚幻的前提下。母亲的做法，从一开始的尝试（并没有考虑女儿过往20年的经历，以及她对不同事物的接受程度，比如衣服，比如狗），她只是单纯的用自己的方式去对她好，或说“把她拉回正轨”，但事实上对于女儿来说，20年的时间足够重塑她所有的认知（更何况她从那么小开始被囚犯养大，除了认知重塑，本身对朝夕相处的抚养者也会有感情）。母亲更像是把她当成自己的所有物，而囚犯则是侵犯了她的个人财产，她会愤怒、绝望、渴望改变现状，完全不是站在女儿的视角，单纯以自己为尺度，根本对女儿的实际情况缺乏客观的考量，这在我看来完全也属于控制欲过强的行为，缺乏共情和视角转换能力。在这种情况下，囚犯的经历反而成了她内心世界的避风塘（态度更平和，使她更容易产生依赖性，相处模式更充满趣味）。这直接导致了她对人性的认知扭曲，最后走上不归路。冲着詹叔来的，所以可能一开始就对他的角色有很高的接受度，而且本人偏爱斯德哥尔摩情结，分析评价可能会有失偏颇，仅代表个人观感，绝非本人三观。

「I can't decide what the wrost thing that's ever happend to me is... being with you my whole life or being without you for the rest of it.」「It's natural to feel conflicted about my feelings. But how can you have feelings about something when you don't know anything about it? That's how I feel about everything.」「Is this how people love? They become a room for you to live in, and then they lock? How many rooms do you get in your life? Am I lucky or unlucky?」「I didn't leave because you were bad. The whole point of taking everything away from me in the first place was that I would get to be someone. I mean, I am someone, when I'm alone. But when I'm with other people, I am what they think I am. I don't know how to be that. And I think I don't want to be something to share anymore. I thought you couldn't choose your family and that you were trying to make me choose you. But then I saw that Ben chose me. He picked me out, and he made me his. And there is no one choosing that. There is no un-growing up. It's time for me to grow up for good and have something that's mine. And mine only. Sincerely, Leia.」